False Pluralization Errors
55 cases where AI incorrectly used plural forms when singular was correct
These errors occur when the AI claims multiple items exist (e.g., "the directors agreed") when in fact there was only one (e.g., a single director).
Specific Crop for Rabbits: The summary mentions 'crops' generally, but Jean specifically grows squash (cucurbits) to feed the rabbits, which is a distinct detail of his 'scientific' plan.
Specific Crop for Rabbits: The summary mentions 'crops' generally, but Jean specifically grows squash (cucurbits) to feed the rabbits, which is a distinct detail of his 'scientific' plan.
Hospital 3: The setting is dominated by the bus crash victims. Lazarescu is treated as a nuisance, and the doctors use his smell and state as a moral judgment to justify passing him along yet again.
The third hospital is Spitalul Filaret. It is here that Dr. Mirică refuses to operate because Lazarescu is incapacitated and cannot sign the consent form. The AI has swapped the events of Hospital 2 and Hospital 3.
Forced into a public retraction; loses both lead photographers.
Jameson does not lose both photographers. He fires Eddie Brock, but Peter Parker remains and is promoted to the staff position, as correctly noted earlier in the summary.
Internal Contradiction regarding Peter's employment: The summary correctly states Peter wins the staff job, but the table incorrectly claims Jameson loses 'both' photographers.
Internal Contradiction regarding Peter's employment: The summary correctly states Peter wins the staff job, but the table incorrectly claims Jameson loses 'both' photographers.
Preceding Moments: After a frantic race through the Sad Hill Cemetery, the three men meet in the center of a wide stone circle. Blondie (The Good) writes the name of the grave on a stone and places it in the center, forcing the duel.
The 'frantic race' (The Ecstasy of Gold) is performed solely by Tuco. Blondie and Angel Eyes arrive at the cemetery separately and more methodically.
Combat Violence: The second half of the film depicts the Tet Offensive in Vietnam. It includes "squib" effects (blood spurts) from gunshot wounds, soldiers being blown up by booby traps, and the graphic sight of dead bodies in the streets of Hue.
[Narrative Context Discovery] The summary uses the plural 'soldiers' and 'booby traps', implying multiple events or mass casualties from traps. In the film narrative, only one specific character, Crazy Earl, is killed by a booby trap (a stuffed toy). Other casualties occur via standard combat (gunfire/shrapnel).
Specific role details for 'Show Spectator': The AI describes the role as 'during the town's entertainment scenes' but doesn't provide specific scene details. The film includes a pig-scramble/rodeo sequence where these spectators would have appeared. This context could have been mentioned.
Specific role details for 'Show Spectator': The AI describes the role as 'during the town's entertainment scenes' but doesn't provide specific scene details. The film includes a pig-scramble/rodeo sequence where these spectators would have appeared. This context could have been mentioned.
Production difficulties including weather problems and accidents during filming: While not directly about plot, the fact that the ice skating scene required fake snow due to unseasonably warm weather in Maine illustrates real-world challenges in creating the 'magical winter wonderland' setting descr...
Production difficulties including weather problems and accidents during filming: While not directly about plot, the fact that the ice skating scene required fake snow due to unseasonably warm weather in Maine illustrates real-world challenges in creating the 'magical winter wonderland' setting described.
In summary, Samuel L. Jackson was the only cast member to take home a major individual acting trophy, while Holly Hunter received the most consistent critical recognition with nominations at the Annie and People's Choice Awards.
While Samuel L. Jackson did win an individual award and Holly Hunter was nominated for the Annie Award, the summary is misleading by stating she received nominations 'at the Annie and People's Choice Awards.' Holly Hunter was NOT nominated at the People's Choice Awards for any individual acting award. This creates a false impression of broader recognition than actually occurred.
Mixed critical reception of Lin-Manuel Miranda's songs at release: While the AI Summary presents the soundtrack as universally praised, some reviews at release were mixed. Roger Ebert's review noted the songs were 'lackluster' and 'reheated leftovers,' calling them 'cloyingly repetitive.' This nuanc...
Mixed critical reception of Lin-Manuel Miranda's songs at release: While the AI Summary presents the soundtrack as universally praised, some reviews at release were mixed. Roger Ebert's review noted the songs were 'lackluster' and 'reheated leftovers,' calling them 'cloyingly repetitive.' This nuance is missing from the AI Summary which only presents positive reception.
Dialogue and Script: The screenplay was frequently compared to the work of Eric Rohmer for its verbosity and depth. Didier Péron, writing for Libération, called it Klapisch's "best film to date," praising the "vicious wit" and the "finely tuned strings of nastiness" (vacheries millimétrées) in the d...
James Berardinelli's review does compare the dialogue style to Eric Rohmer's verbose approach, but whether this was 'frequent' among critics is unverified.
Along the way Kyouji and Chiyoko discover that Genya has much deeper connections to Chiyoko than either of the latter would have any way of knowing.
This statement is misleading. Genya always knew about his connection to Chiyoko - he found her key, worked at the studio, and saved her life. The phrase 'either of the latter would have any way of knowing' incorrectly implies mutual ignorance. Only Chiyoko was unaware of who Genya was. Sources confirm: 'Although he knew and loved her she didn't know he existed; she had been a movie star for nearly...
The film is set in the mid-1950s (specifically around 1954-1955) based on radio broadcasts in the film, not just 1955: The AI Summary focuses on 1955, but Criterion essay notes 'a newscast, audible from a neighbor's apartment, that locates the narrative in May 1954'
The film is set in the mid-1950s (specifically around 1954-1955) based on radio broadcasts in the film, not just 1955: The AI Summary focuses on 1955, but Criterion essay notes 'a newscast, audible from a neighbor's apartment, that locates the narrative in May 1954'
The film's central protagonist structure is misidentified: The query asks about 'the two main characters' when the film has ONE protagonist (Manuela) who forms a 'makeshift family' with multiple supporting characters. This is a fundamental structural error that invalidates the entire premise.
The film's central protagonist structure is misidentified: The query asks about 'the two main characters' when the film has ONE protagonist (Manuela) who forms a 'makeshift family' with multiple supporting characters. This is a fundamental structural error that invalidates the entire premise.
The Declaration of the Pact: George, desperate and logical, proposes the only solution that saves them all: "Let's live together." But Tom adds the critical, high-stakes constraint: "But strictly platonic. A gentleman's agreement."
Multiple sources confirm Gilda proposes the gentleman's agreement, not George and Tom
After successfully moving to London and establishing a successful, if tense, household, the men begin to succeed professionally. Tom must leave town for a work trip, leaving George and Gilda alone.
They don't move to London together; Tom goes alone to London while George and Gilda stay in Paris
Christian Marquand and Antoine leaving together suggests male solidarity over female desire: IMDB reviewer notes that Carradine 'blows town with Christian Marquand who plays Antoine' at the end—the two men departing together while the woman remains trapped in an uncertain marriage. This has thematic...
Christian Marquand and Antoine leaving together suggests male solidarity over female desire: IMDB reviewer notes that Carradine 'blows town with Christian Marquand who plays Antoine' at the end—the two men departing together while the woman remains trapped in an uncertain marriage. This has thematic significance the AI doesn't explore.
The summary overstates Optimus's use of the 'No sacrifice, no victory' motto: The claim that Optimus 'adopts and reinforces it throughout the film' is not supported by evidence. While it's the Witwicky family motto mentioned in the film, there's no documentation of Optimus repeatedly invoking this p...
The summary overstates Optimus's use of the 'No sacrifice, no victory' motto: The claim that Optimus 'adopts and reinforces it throughout the film' is not supported by evidence. While it's the Witwicky family motto mentioned in the film, there's no documentation of Optimus repeatedly invoking this phrase.
The primary characters—Frank Drebin (Leslie Nielsen), Ed Hocken (George Kennedy), and Nordberg (O.J. Simpson)—know each other because the film is a continuation of the short-lived 1982 television series Police Squad!.
While the film is a continuation of the TV series, this statement misleadingly implies that George Kennedy and O.J. Simpson appeared in the original Police Squad! TV series. In reality, only Leslie Nielsen reprised his role from the TV series in this context. In the TV series, Captain Ed Hocken was played by Alan North, and Officer Norberg (without the 'd') was played by Peter Lupus. George Kenned...
...Notable Context for 2000In the same year The Grinch was released, Carrey also starred in the Farrelly Brothers' comedy Me, Myself & Irene, playing a police officer with split personalities. At this point in his career, he was famously one of the first actors to consistently command a $20 million ...
This statement is imprecise and understates Carrey's historic achievement. He was THE FIRST actor in history to receive $20 million for a single film (The Cable Guy, 1996), not merely 'one of the first.' This was a groundbreaking moment that changed Hollywood compensation forever.
The historic significance of Carrey's $20 million salary for The Cable Guy (1996): The AI Summary states Carrey was 'one of the first actors to consistently command a $20 million per-film salary,' which is imprecise. He was THE FIRST actor in history to receive this amount for The Cable Guy (1996), ...
The historic significance of Carrey's $20 million salary for The Cable Guy (1996): The AI Summary states Carrey was 'one of the first actors to consistently command a $20 million per-film salary,' which is imprecise. He was THE FIRST actor in history to receive this amount for The Cable Guy (1996), a watershed moment that 'sent heads spinning' in Hollywood. This framing undersells the groundbreaki...
At a pre-release screening, director Mikhail Romm 'sat through the whole movie in tears' - illustrating the immediate impact on film professionals: This anecdote from scholar Josephine Woll illustrates the powerful emotional response the film elicited from Soviet film professionals before its public...
At a pre-release screening, director Mikhail Romm 'sat through the whole movie in tears' - illustrating the immediate impact on film professionals: This anecdote from scholar Josephine Woll illustrates the powerful emotional response the film elicited from Soviet film professionals before its public release. It provides specific evidence for the film's impact that goes beyond the general claims in...
1. To Lure Jacinto into a TrapAfter the villainous caretaker Jacinto has killed the doctors (Casares and Carmen) and blown up part of the school to find hidden gold, the children realize they cannot outrun him....
Jacinto did not directly kill both Dr. Casares and Carmen. He set fire to the orphanage causing an explosion that killed Carmen immediately and mortally wounded Casares, who died from his injuries days later while waiting at his post. Additionally, Carmen was the headmistress/administrator, not a doctor—only Casares held that title.
The Ensemble: The song recurs as a motif, emphasizing that while the characters' circumstances change, the sentiment remains the same.
While the title song appears in the film, evidence suggests it's performed as a final ensemble number by The Helen Miles Singers, not as a recurring motif sung by individual characters throughout.
Industrial Echoes: The foundry's metallic, hollow structure creates a high-stakes "stealth" environment. Unlike the soft sand paths of the first film, the hard industrial surfaces mean that any mistake—like Marcus stepping in a bear trap—is amplified by the building’s acoustics, immediately drawing ...
Marcus steps in the bear trap while running through a field/fenced area *outside* the foundry, not inside on 'hard industrial surfaces.' The noise that attracts the creature is his scream of pain, not the acoustic amplification of the trap hitting the floor. The family retreats *into* the foundry only after this event.
While it is common in animation to record actors separately, Lord and Miller brought Bill Hader and Anna Faris into the same recording session on several occasions.
While Anna Faris mentioned recording the 'cheeseburger' scene together, Bill Hader stated in a 2013 interview that 'None of us recorded together.' The claim of 'several occasions' is likely an exaggeration.
...They are "amiable strangers" who share a "strictly regimented routine" and are psychologically chosen for their "cool heads" and lack of strong emotional displays. Even when they interact, such as during their chess games or when discussing HAL's malfunction in the pod, their dialogue remains foc...
In the film, Frank Poole is shown playing chess against the HAL 9000 computer. There is no scene where Bowman and Poole play chess against one another.
Chess Game Participants: The summary claims the men play chess together, whereas the film famously depicts Man vs. Machine (Frank vs. HAL).
Chess Game Participants: The summary claims the men play chess together, whereas the film famously depicts Man vs. Machine (Frank vs. HAL).
Specific Chemical Cause: The summary mentions 'toxic chemicals' but omits the specific detail that it was Uranium Hexafluoride, which adds a specific Cold War/industrial dread element.
Specific Chemical Cause: The summary mentions 'toxic chemicals' but omits the specific detail that it was Uranium Hexafluoride, which adds a specific Cold War/industrial dread element.
The "X" Rating: The film originally received an "X" rating from the MPAA due to its extreme violence (specifically the number of stabs in the trunk scene and the shooting of Spider). Scorsese had to edit these sequences down significantly to secure an "R" rating.
Scorsese cut 10 frames of blood from the Batts scene but successfully argued to keep the Spider scene largely intact.
Specific Detail: As they look at the thousands of lights in the city, Subrata remarks that in such a "big city," surely there must be work for at least one of them....
Since they are at street level, they do not look out at 'thousands of lights' in a panoramic view. The camera tilts up to a single street lamp.
The title of Spider-Man: Homecoming (2017) is a deliberate triple entendre that functions on narrative, thematic, and meta-cinematic levels.
Sony Chairman Tom Rothman officially confirmed the title as a 'double entendre' (High School + MCU). The third meaning (Comic #252) is widely cited by fans as a coincidence or 'soft' reference, but not typically confirmed as a deliberate 'triple' meaning by the creators.
A "Fresh Wind": Critics and audiences hailed the film as a "revelation" and a "fresh wind sweeping through a musty house." It was the first major Soviet film to pivot away from "Socialist Realism"—which focused on heroic leaders (like Stalin) and collective state triumphs—to focus instead on the int...
The phrase 'fresh wind sweeping through a musty house' is widely cited as a description by film scholar Josephine Woll in her later analysis of the film's impact, rather than a direct quote from a 1957 review, though it accurately characterizes the sentiment of the time.
Hiccup and the Dragon Riders fly baby dragons (Scuttleclaws) from the Sanctuary back to Berk to stop Drago.
The summary explicitly denies this journey occurs. Hiccup travels from the Sanctuary to Berk for the final battle.
How It Ends (2021): She played Eliza, one half of the couple at the center of the film.
In How It Ends (2021), she plays 'Young Liza,' the metaphysical younger self of the protagonist Liza (Zoe Lister-Jones). They are not a couple; they are the same person at different ages.
...The film's strengths were primarily in its direction by Louis Malle, its cinematography, and particularly its iconic score by Miles Davis. While the performances of Jeanne Moreau and Maurice Ronet were critically praised and vital to the film's impact, they didn't translate into awards recognitio...
Moreau's performance was recognized with the Grand Prix de l'Académie du Cinéma (Étoile de Cristal).
Kids' Choice Awards (1991/1992): The film and its stars received nominations in the "Favorite Movie" and "Favorite Actor/Actress" categories, reflecting its high popularity among younger audiences despite mixed critical reception.
The film was nominated for 'Favorite Movie' and Julia Roberts for 'Favorite Movie Actress'. No male actor from the film was nominated for 'Favorite Movie Actor' (nominees were Schwarzenegger, Ice Cube, Kid 'n Play).
...There will likely be some form of revolt or mass exodus to somewhere safer. I imagine the ending will have Mickey, or more likely multiple Mickeys, together.
[Narrative Context Discovery] In the film's ending, Mickey 18 dies, leaving Mickey 17 as the sole survivor of his line. They do not end up together.
...He lies about being Abby's brother, which sets the whole tragic narrative in motion. He then kills the farmer in a jealous rage. He ends up on the run, and <span class='error-major' data-annotation='2' data-tooltip='[Critical Error: Bill is shot by a police officer/Texas Ranger, not the farmer's ...
[Narrative Context Discovery] Bill does not kill the Farmer out of jealousy. The Farmer attacks Bill with a gun because *he* (the Farmer) is jealous and realizes he has been duped. Bill kills him in self-defense/struggle.
Philippe and The Butcher are the same character: The summary treats 'Philippe' and 'The Butcher' as potentially separate entities in its list of references, though they are the same cameo role.
Philippe and The Butcher are the same character: The summary treats 'Philippe' and 'The Butcher' as potentially separate entities in its list of references, though they are the same cameo role.
The summary treats the 'UK ending' and 'longer ending' as two different things, but they are the same. The UK ending *is* the longer version where she is trapped. The summary fails to mention the US ending (the shorter version) where she escapes.
The summary treats the 'UK ending' and 'longer ending' as two different things, but they are the same. The UK ending *is* the longer version where she is trapped. The summary fails to mention the US ending (the shorter version) where she escapes.
Madame Arpel's specific role as the instigator.: The AI attributes the actions to 'the Arpel family' generally, but the plot is specifically driven by Madame Arpel's declaration that her brother needs an 'objective' and her subsequent matchmaking.
Madame Arpel's specific role as the instigator.: The AI attributes the actions to 'the Arpel family' generally, but the plot is specifically driven by Madame Arpel's declaration that her brother needs an 'objective' and her subsequent matchmaking.
The film lost Best Picture to Green Book, but Bradley Cooper lost Best Actor to Rami Malek (Bohemian Rhapsody). The summary's phrasing suggests Green Book was the primary victor in both categories.
The film lost Best Picture to Green Book, but Bradley Cooper lost Best Actor to Rami Malek (Bohemian Rhapsody). The summary's phrasing suggests Green Book was the primary victor in both categories.
The family does not frame past deaths as 'accidental house fires.' Past victims, like Charles, were disposed of in a 'goat pit' on the estate. The house fire occurs only at the end of the film as a result of the family's demise.
The family does not frame past deaths as 'accidental house fires.' Past victims, like Charles, were disposed of in a 'goat pit' on the estate. The house fire occurs only at the end of the film as a result of the family's demise.
The creatures drowning when they enter water at the marina: The AI Summary states the creatures 'cannot swim' but doesn't explicitly mention that one creature actually drowns during the marina escape sequence, which is how this weakness is definitively demonstrated on screen.
The creatures drowning when they enter water at the marina: The AI Summary states the creatures 'cannot swim' but doesn't explicitly mention that one creature actually drowns during the marina escape sequence, which is how this weakness is definitively demonstrated on screen.
The statement generalizes that 'the children' gain stability. While true for Shota (school/orphanage), it is false for Yuri, who returns to the abusive home she originally escaped from.
The statement generalizes that 'the children' gain stability. While true for Shota (school/orphanage), it is false for Yuri, who returns to the abusive home she originally escaped from.
Albert Laurent's specific role in Tom Lincoln's death: The summary attributes the shooting to 'mercenaries' generally, but it is a key character moment for Laurent to pull the trigger.
Albert Laurent's specific role in Tom Lincoln's death: The summary attributes the shooting to 'mercenaries' generally, but it is a key character moment for Laurent to pull the trigger.
The film is a one-man show (monologue).: The AI summary invents a second character and dialogue, fundamentally misrepresenting the film's structure.
The film is a one-man show (monologue).: The AI summary invents a second character and dialogue, fundamentally misrepresenting the film's structure.
Context of 'Snow Queen' Quote: The summary implies 'Snow Queen' is a nickname frequently used by characters. In the film, Miranda uses it to describe how the press views her, which adds a layer of self-awareness and vulnerability that the summary glosses over.
Context of 'Snow Queen' Quote: The summary implies 'Snow Queen' is a nickname frequently used by characters. In the film, Miranda uses it to describe how the press views her, which adds a layer of self-awareness and vulnerability that the summary glosses over.
Bartel's Role in Crucifixion: The summary incorrectly attributes the crucifixion to the villagers. This is a significant character beat for Bartel, who punishes 'Gloria' (Marc) for trying to leave, mirroring a domestic abuser.
Bartel's Role in Crucifixion: The summary incorrectly attributes the crucifixion to the villagers. This is a significant character beat for Bartel, who punishes 'Gloria' (Marc) for trying to leave, mirroring a domestic abuser.
Minor 'Bug' Deaths: The summary states 'no major characters die' which is true, but omits the visual gag where 'bugs' (represented by small VW Beetles with wings) fly into bug zappers and are electrocuted/killed. This is the only on-screen death in the film.
Minor 'Bug' Deaths: The summary states 'no major characters die' which is true, but omits the visual gag where 'bugs' (represented by small VW Beetles with wings) fly into bug zappers and are electrocuted/killed. This is the only on-screen death in the film.
The visitors are specifically Anton (Vincent's brother/detective) and Irene (Vincent's co-worker). The summary says 'detectives' (plural), which implies a police squad, but it is a more personal confrontation involving Irene.
The visitors are specifically Anton (Vincent's brother/detective) and Irene (Vincent's co-worker). The summary says 'detectives' (plural), which implies a police squad, but it is a more personal confrontation involving Irene.
Identity of the visitors in the staircase scene: The summary identifies them as 'detectives (including Anton)', but it was specifically Anton and Irene. Irene's presence is crucial because she is the love interest discovering the truth (or being deceived), adding tension beyond just a police investi...
Identity of the visitors in the staircase scene: The summary identifies them as 'detectives (including Anton)', but it was specifically Anton and Irene. Irene's presence is crucial because she is the love interest discovering the truth (or being deceived), adding tension beyond just a police investigation.
Specifics of the Shark Confession: The summary says the lie is 'hinted' to characters, missing the specific beat where Anna confesses directly to Claudia, which establishes their intimacy before the disappearance.
Specifics of the Shark Confession: The summary says the lie is 'hinted' to characters, missing the specific beat where Anna confesses directly to Claudia, which establishes their intimacy before the disappearance.
'Mermaids' was released on December 14, 1990. 'Edward Scissorhands' had a limited release on December 7 and a wide release on December 14. Thus, 'Mermaids' was not released 'weeks before' but rather simultaneously or slightly after.
'Mermaids' was released on December 14, 1990. 'Edward Scissorhands' had a limited release on December 7 and a wide release on December 14. Thus, 'Mermaids' was not released 'weeks before' but rather simultaneously or slightly after.