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In the 1963 film The Courtship of Eddie's Father, the primary conflict is a clash of priorities and emotional needs between Tom Corbett (Glenn Ford) and his young son, Eddie (Ronny Howard) regarding Tom's romantic life after the death of Eddie's mother.
The conflict centers on a fundamental disagreement over who should become the new maternal figure in their home.
The tension reaches a breaking point because Rita is portrayed as "the wrong kind of woman" for a child—she is cold, uncomfortable around children, and eventually suggests that after they marry, Eddie should be sent away to live with Tom's brother so they can enjoy their "freedom."
The conflict is rooted in the shared grief of losing a wife and mother, but it is triggered by two specific elements:
The conflict escalates when Tom ignores Eddie's feelings and proposes to Rita. The "start" of the final resolution occurs when Eddie runs away from summer camp after learning about the engagement. Instead of returning to his father, he seeks refuge at Elizabeth’s apartment. This crisis finally forces Tom to realize that his pursuit of Rita was an attempt to escape his grief rather than build a family, leading him to break off the engagement and finally pursue a relationship with Elizabeth.
The summary omits the subplot involving Dollye Daly (Stella Stevens) and Norman Jones (Jerry Van Dyke), which provides contrast to Tom's other relationships, though it is not the *primary* conflict.
The primary conflict in The Courtship of Eddie's Father (1963) is the emotional struggle between Tom Corbett (Glenn Ford) and his son Eddie (Ronny Howard) over Tom's remarriage. Eddie wants Tom to marry their neighbor, Elizabeth Marten (Shirley Jones), who was his late mother's best friend and offers maternal comfort. Tom, however, pursues Rita Behrens (Dina Merrill), a sophisticated fashion consultant whom Eddie dislikes due to her "skinny eyes" (a trait he associates with "bad ladies" in comic books). The conflict begins with their differing needs—Tom wants adult companionship that doesn't remind him of his grief, while Eddie needs a mother figure who understands it. It escalates when Rita suggests sending Eddie away to Tom's brother, leading Eddie to run away from summer camp to Elizabeth's home, which finally forces Tom to choose his son's well-being (and Elizabeth) over Rita.