| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 6 | 0 | 0 | 0 |
Nymphomaniac: Volume II, directed by Lars von Trier, picks up immediately where Volume I left off. Joe (Charlotte Gainsbourg) continues telling her life story to Seligman (Stellan Skarsgård) in his apartment. While Volume I focused on her youth and the discovery of her sexuality, Volume II is darker, focusing on her loss of physical sensation, her descent into self-destruction, and her career in the criminal underworld.
Here is a detailed breakdown of the major chapters and the conclusion:
Joe describes a period of her life where she has completely lost the ability to feel physical pleasure. Desperate to feel anything, she seeks out "K" (played by Jamie Bell), a professional sadist.
Joe attempts to live a "normal" life for the sake of her domestic partner, Jerome (Shia LaBeouf), and their young son, Marcel.
The story reaches its climax as Joe’s involvement with L and her relationship with P collide.
As Joe finishes her story, she expresses deep self-loathing, calling herself a "bad human being." Seligman, who has remained a patient, intellectual listener throughout, attempts to console her.
The summary incorrectly states Joe leaves her family, reversing the victim/agent dynamic of that specific plot point (Jerome takes the child away from her).
The summary hallucinates an art history definition for a sexual act.
In Nymphomaniac: Volume II, Joe (Charlotte Gainsbourg) continues her story to Seligman (Stellan Skarsgård). She details her loss of sensation and her relationship with a sadist named K (Jamie Bell). The chapter "The Silent Duck" refers to a sexual act K performs on her, not an art phenomenon. Her partner Jerome (Shia LaBeouf) eventually leaves her (taking their son Marcel) after she chooses her sessions with K over her family. Joe becomes a debt collector for L (Willem Dafoe) and mentors a young woman named P (Mia Goth). When Joe discovers P and Jerome are having an affair, she attempts to shoot Jerome in an alley but fails because the gun is not racked; she is then beaten. In the present, after Joe finishes her story, Seligman attempts to rape her, justifying it by her sexual history. Joe shoots him (heard over a black screen) and flees.