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It is important to note that as of mid-2024, the film "Mickey 17," directed by Bong Joon-ho, has not yet been released to the general public (its release is currently scheduled for early 2025). Therefore, specific details about a "dream sequence" at the end of the film are not yet a matter of public record.
However, we can look at the source material—the novel "Mickey7" by Edward Ashton—to understand the likely significance of any dream-like or visionary sequences at the end of the story. In the context of the book and the established themes of the production, the significance of such a sequence would likely revolve around the following points:
In the novel, Mickey has several encounters with the "Creepers," the indigenous life forms of the planet Niflheim. These encounters often feel surreal or dream-like. At the end of the story, it is revealed that the Creepers are not just mindless monsters but a collective, territorial intelligence.
Throughout the story, Mickey’s life is defined by the fact that he is a "Mickey"—a clone who is meant to die so that others don't have to. He carries the trauma of his previous deaths (Mickeys 1 through 6).
Bong Joon-ho often uses "dream-like" endings to comment on the social reality of his characters (similar to the "letter" sequence at the end of Parasite).
In the book's climax, the Creepers essentially "speak" to Mickey in a way that bypasses language, often described in sensory, abstract terms.
If the film follows the core trajectory of the book, a concluding dream sequence serves as the ultimate act of rebellion. By connecting with the alien biosphere or finding a way for two versions of himself to coexist, Mickey ceases to be a cog in the colonial machine and becomes a person with a future—even if that future is a "dream" he has to keep secret from the rest of the world.
The AI missed the actual scene entirely, speculating instead.
The dream represents the anxiety that if the machine exists, the dictator (Marshall) can always be brought back.
The nightmare is what pushes Mickey to finally destroy the 'human printer'.
In the film Mickey 17 (released early 2025), the dream sequence occurs near the end, just before Mickey destroys the 'human printer.' In the dream, Mickey sees Ylfa (Toni Collette) standing by the machine, which is in the process of reprinting her dead husband, the antagonist Marshall (Mark Ruffalo). Ylfa offers Mickey a taste of her 'sauce' (implied to be made from the indigenous Creepers). The significance of this sequence is that it manifests Mickey's deep-seated anxiety that as long as the technology exists, the cycle of exploitation and tyranny (represented by Marshall) can never truly end. This nightmare provides the final motivation for Mickey to destroy the printer, thereby ending the Expendable program and ensuring that he and the colony can move forward without the threat of the past returning.