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In Wong Kar-wai’s Chungking Express, expiration dates serve as the central metaphor for the transience of human relationships, the loneliness of urban life, and the inevitable passage of time. While they are most explicitly featured in the first half of the film, the philosophy of "the shelf life of love" permeates the entire work.
Here is the significance of the expiration dates, broken down by specific details:
The most iconic use of expiration dates involves Cop 223 (He Qiwu, played by Takeshi Kaneshiro). After his girlfriend, May, breaks up with him on April 1st (April Fool's Day), he decides to wait for her for exactly one month.
A pivotal scene occurs at a convenience store when He Qiwu complains to a clerk about why they are throwing away cans that expire "tonight."
In the second story, the theme of "dates" shifts from the end of a relationship to the beginning of one.
Contextually, the obsession with expiration dates in Chungking Express (released in 1994) is often interpreted as a reflection of the collective anxiety in Hong Kong regarding the 1997 handover to China.
The summary omits a parallel use of expiration dates in the second story: Faye secretly swaps the labels on Cop 663's canned sardines to 'extend' their freshness (or replace them with fresh ones), which he notices only as a change in taste. This contrasts with Cop 223's fatalistic acceptance of the printed dates.
The '10,000 years' quote is a direct reference/parody of a line from Wong Kar-wai's *Ashes of Time*, which he was taking a break from filming to make *Chungking Express*.
In Chungking Express, expiration dates symbolize the anxiety of impermanence in love and the looming 1997 handover of Hong Kong. Cop 223 (He Qiwu) ritualizes his grief by buying pineapple cans expiring on May 1st (his birthday), equating the shelf life of the fruit with the shelf life of his relationship. He consumes all 30 cans on the expiration date, physically internalizing his loss. In contrast, the second story subverts this deadline: Faye leaves Cop 663 a boarding pass dated 'one year from today,' transforming the date from a terminal point into a promise of renewal. Additionally, Faye secretly alters the expiration labels on Cop 663's canned sardines, actively manipulating time rather than passively accepting it. The film concludes with an open-ended ticket ('Wherever you want to take me'), suggesting a liberation from the rigid constraints of time.