| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 3 | 3 | 0 | 2 |
While I don't have access to behind-the-scenes interviews or definitive documentation without external searching, based on my understanding of the production and acting styles often employed in low-budget, tense thrillers like "Saw," it's highly likely some improvisation occurred, particularly to enhance naturalism in the dialogue.
Specifically, I suspect some improvisation may have happened in the following areas:
However, It's crucial to remember that "Saw" is a heavily plot-driven film. Improv, if present, would be tightly controlled and serve to enhance the scripted material rather than drastically alter the narrative. Jigsaw's scripted monologues, for example, would have no improvisation.
The most famous improvised moment in the film—where Adam uses his shirt to try and reach the tape recorder—was entirely unscripted and developed on set.
The AI missed that Leigh Whannell (Adam) was also the film's writer, which is why he felt comfortable improvising and 'expanding' on the dialogue during filming.
The AI attributed improv to budget/writing shortcuts, whereas the real driver was the 18-day shoot which left zero time for traditional rehearsals.
In the film Saw (2004), significant improvisation occurred during the bathroom scenes involving Adam (Leigh Whannell) and Dr. Lawrence Gordon (Cary Elwes). According to the director's audio commentary, the actors 'improvised so much on set' primarily because the film's extremely tight 18-day schedule and one-week pre-production period left no time for rehearsals. A key confirmed improvised moment is the sequence where Adam uses his shirt to try and reach the tape recorder in the middle of the room; this physical action was not in the original script. Additionally, Leigh Whannell, who also wrote the screenplay, frequently improvised dialogue and banter to make the interactions feel more natural and desperate. However, the core plot points and Jigsaw's monologues remained strictly scripted to preserve the film's complex narrative structure.