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In the 1963 Soviet film Kingdom of Crooked Mirrors (Korolevstvo krivykh zerkal), the relationship between Olya and her mirror reflection, Yalo, serves as the central driver for Olya's character growth. Their bond evolves from one of initial curiosity and irritation to a deep, self-reflective partnership.
At the start of the film, Olya is a headstrong, messy, and irresponsible schoolgirl who ignores her grandmother's advice to "see herself through the eyes of others." After stepping through her grandmother’s mirror, she meets Yalo (Olya’s name spelled backward).
The girls witness the arrest of Gurd (Friend), a young boy who refuses to make crooked mirrors that lie to the public. Olya’s sense of justice is sparked, and she decides to rescue him.
To enter the palace, the two girls meet the cook, Aunt Aksal, and disguise themselves as royal pages.
The most significant evolution occurs when the girls manage to obtain the key to Gurd’s shackles. Because of her characteristic carelessness, Yalo loses the key.
The girls must retrieve the second key from the villainous Minister Nushrok. They have to navigate the dangerous Death Tower and face the kingdom’s corrupt leaders (Anidag, Nushrok, and Abazh).
After Gurd is freed and the villains are defeated, Olya must return to the real world, leaving Yalo behind.
The summary mentions the names (Nushrok, Anidag, Abazh) but fails to explain the backwards spelling wordplay (Korshun=Kite, Gadina=Snake, Zhaba=Toad) which is a central feature of the film's whimsy and meaning.
The summary omits the film's satirical elements criticizing capitalism and Western hypocrisy, where the 'crooked mirrors' make the rich/evil look good and the poor/good look bad.
The summary mentions the mirrors 'lie' but doesn't explain the specific visual distortion (old looks young, hungry looks well-fed) that drives the plot.
In the 1963 film Kingdom of Crooked Mirrors, the relationship between Olya and her reflection Yalo is a journey of self-discovery. Olya starts as a careless, lazy girl who refuses to see her own faults. In the mirror world, Yalo personifies these faults (fear, carelessness). Through their adventures rescuing Gurd, Olya is forced to lead and eventually confronts her own flaws when she scolds Yalo for losing a key, realizing she is scolding herself. This epiphany allows them to work in synergy to defeat the villains (Nushrok, Anidag, Abazh), leading to Olya's return home as a matured, self-aware individual.