In Eric Rohmer’s *Suzanne’s Career* (1963), the "secrets" kept by the characters are less about scandalous plot twists and more about the **internal deceptions, hidden motivations, and social hypocrisies** that define their relationships. The film is the second of Rohmer's *Six Moral Tales*, and as such, the characters' secrets revolve around their private moral failures.
The primary secrets and deceptions include:
### 1. The Mystery of the Stolen Money
The most concrete "secret" in the film involves a theft that remains technically unsolved, though the characters (and the audience) have strong suspicions.
* **The Detail:** Bertrand hides a stash of money from his parents inside a book in his room. After a party, he allows Suzanne to sleep in a chair in his room (refusing to let her share the bed). When he returns from an exam the next morning, Suzanne is gone—and so is the money.
* **The Deception:** While Bertrand publicly lets the suspicion fall on Suzanne to justify his "hatred" for her, his friend Sophie suspects that **Guillaume** is the actual thief. Guillaume’s secret is his potential willingness to rob his best friend, while Bertrand’s "secret" is his eagerness to use the theft as a way to vilify a woman he is secretly obsessed with.
### 2. Bertrand’s Secret Infatuation (The Unreliable Narrator)
The entire film is framed by Bertrand’s internal monologue, which is a secret he keeps from every other character, including the audience, for much of the runtime.
* **The Detail:** Bertrand repeatedly claims in his narration that he despises Suzanne, finds her "ugly," and views her as a pathetic victim of Guillaume’s cruelty.
* **The Truth:** His secret is that he is actually **infatuated with her**. His cruelty and aloofness are defense mechanisms to hide his jealousy of Guillaume. He keeps his true feelings hidden because admitting attraction to a woman he deems "socially inferior" would damage his ego.
* **Social Secrecy:** Bertrand also keeps his personal failures a secret. It is only at the very end that he admits he is flunking his classes and is on the verge of losing his "ideal" girl, Sophie.
### 3. Guillaume’s Exploitative Motives
Guillaume presents himself as a charming, if slightly rogueish, "man about town," but his true motivations are deeply cynical.
* **The Detail:** Guillaume’s "secret" is that he doesn't care for Suzanne at all; he views her as a toy for a "lark." He goes as far as trying to **secretly ruin her financially**.
* **Specific Detail:** He encourages Suzanne to spend her meager savings on expensive dinners and outings for himself and Bertrand, laughing at her behind her back for her "lack of self-respect." He treats her financial ruin as a game, a secret cruelty that Bertrand witnesses and abets through his silence.
### 4. Suzanne’s "Career" (The Hidden Agency)
The title itself refers to a secret "career" or path that the male characters fail to see.
* **The Detail:** Throughout the film, Bertrand and Guillaume treat Suzanne as a "doormat" and a victim. They believe they have "ruined" her.
* **The Revelation:** Suzanne’s secret is her **resilience and social mobility**. While the men are busy judging her, she is quietly moving on. The film ends with the secret reveal of her "success": she is engaged to Frank, a man who is wealthier, more handsome, and kinder than either Bertrand or Guillaume.
* **The Irony:** Her "career" of progress and eventual marriage is the ultimate secret weapon she uses against the men; by becoming happy and successful, she "deprives them of the right to pity her," which Bertrand admits is her ultimate revenge.
### 5. Bertrand's Lies to Sophie
Bertrand attempts to maintain a secret "pure" image for Sophie, the woman he considers "worthy" of him.
* **The Detail:** He hides the extent of his involvement with Suzanne and Guillaume’s debauchery from Sophie. He wants to appear as the "serious student" while secretly spending his time observing and participating in Guillaume's exploitation of Suzanne. When Sophie eventually defends Suzanne, it reveals that Bertrand's attempts to keep Suzanne "in a box" of victimhood have failed.