In *John Wick: Chapter 2*, the "winners" and "losers" are defined by their shift in power, survival, and personal peace. While the film is a cycle of escalating violence, some characters emerge in a more secure or powerful position than they started, while others suffer total loss.
### **Who Ends Up Better?**
* **The Bowery King (Laurence Fishburne)**
* **Start of the Film:** He is a shadowy figure leading an underground network of "homeless" assassins and informants in New York. While influential, his reach is relatively localized.
* **End of the Film:** By assisting John Wick with a weapon and intel, he gains a "seat at the table" of the audience's attention and consolidates his status as a major alternative power player. He also gets personal satisfaction by refusing to bow to Santino D'Antonio. In the context of the franchise, he is positioned as a rising rival to the High Table.
* **Abram Tarasov (Peter Stormare)**
* **Start of the Film:** He is the terrified brother of Viggo (from the first film), living in constant fear that John Wick will come to finish off the Tarasov family. He is bunkered down in a fortress, waiting for the inevitable.
* **End of the Film:** After John destroys his men but spares him to retrieve his car, they share a "truce" drink. Abram ends the film alive and—more importantly—removed from John Wick's hit list. For a Tarasov, being alive at the end of a John Wick movie is the ultimate "better" outcome.
* **Winston (Ian McShane)**
* **Start of the Film:** The manager of the New York Continental, respected but primarily a neutral facilitator of rules.
* **End of the Film:** Though he is forced to excommunicate John, he demonstrates absolute authority over the underworld. The scene where he "pauses" the entire population of Central Park with a single phone call shows his reach is far greater than previously known. He is also rid of Santino D'Antonio, a man he clearly despised for his arrogance and lack of respect for the "old ways."
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### **Who Ends Up Worse?**
* **John Wick (Keanu Reeves)**
* **Start of the Film:** He has just finished his revenge for his dog/car and is attempting to return to a peaceful life of retirement. He has a home, a new dog, and his Mustang.
* **End of the Film:** He is a global fugitive with a $14 million bounty on his head. His house has been incinerated, his wife's belongings (his last emotional link to her) are destroyed, and he is "excommunicado"—meaning he can no longer use the Continental’s resources for safety, weapons, or medical care. He is arguably in the worst position possible for an assassin.
* **Santino D’Antonio (Riccardo Scamarcio)**
* **Start of the Film:** A powerful crime boss who holds a blood oath marker over John Wick, which he uses to scheme his way onto the High Table.
* **End of the Film:** Dead. Despite hiding within the "safety" of the Continental lounge, John shoots him in the head. He loses his life, his newly acquired High Table seat, and his family legacy.
* **Gianna D’Antonio (Claudia Gerini)**
* **Start of the Film:** A high-ranking member of the High Table and leader of the Camorra.
* **End of the Film:** Dead. Faced with certain assassination by John and betrayal by her brother, she commits suicide by slitting her wrists (John shoots her in the head to fulfill the marker).
* **Ares (Ruby Rose)**
* **Start of the Film:** Santino’s elite, mute bodyguard and enforcer.
* **End of the Film:** Dead. She is killed by John in the "Reflections of the Soul" art exhibit during a final knife fight.
* **Cassian (Common)**
* **Start of the Film:** A highly respected and professional bodyguard for Gianna.
* **End of the Film:** Severely injured and professionally disgraced. After a grueling fight in a subway car, John stabs him in the aorta. John leaves the knife in, telling him as a "professional courtesy" that if he pulls it out, he will bleed to death. While his survival is implied, he ends the film incapacitated and having lost his employer.