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Based on the events of the film Ghost (1990), the characters who end up better or worse are defined by their final destiny, the resolution of their emotional state, and the outcome of their criminal actions.
Oda Mae Brown is the character with the most significant positive change in her life.
Sam's end state, though dead, is the completion of his arc and a peaceful transition.
Carl suffers the most catastrophic downfall, both professionally and spiritually.
Willie is the first to face direct supernatural consequences for his actions.
While Molly achieves an emotional and safety resolution, her life is fundamentally worse than when the film began.
(Note: This summary was generated by Gemini 2.5 Flash + Search)
The AI Summary doesn't mention that immediately after Sam's death, a bright beam of light appears to take him to the afterlife, but he refuses and stays with Molly. This is important context for understanding Sam's character arc and his 'unfinished business.' The light disappears when he refuses, only returning at the end when his mission is complete. This detail adds depth to understanding why Sam became a ghost rather than moving on immediately.
Sources indicate Carl hired Willie to steal Sam's wallet (which contained apartment keys to access Sam's book of bank passwords), not to murder him. Willie killing Sam during the robbery was an unplanned escalation. Carl is later shown confronting Willie about this, saying 'You killed a man. You were supposed to steal his wallet.' This nuance affects understanding of Carl's character - he's a corrupt money launderer willing to rob his friend, but Sam's death was not part of his original plan, though Carl is still morally responsible.
The AI Summary mentions Carl is laundering drug money but doesn't emphasize that Carl owes money to dangerous drug dealers who will kill him if he doesn't deliver. This adds context to Carl's desperation and escalating violence - he's not just greedy but also terrified for his own life. Carl explicitly tells Willie 'I'm dead. We're both dead' if the money isn't transferred.
The AI Summary doesn't mention Sam's encounters with other spirits who help him understand his situation and teach him to interact with the physical world. Specifically, the Subway Ghost teaches Sam how to move objects through focused emotion, which is crucial to Sam's ability to protect Molly and defeat the villains. The Hospital Ghost also explains the afterlife system. These encounters are important to Sam's character development and his gaining of ghostly powers.
In Ghost (1990), the characters' fates are fundamentally defined by moral choices, supernatural consequences, and the completion of emotional arcs.
WHO ENDS UP BETTER:
Oda Mae Brown experiences the most dramatic positive transformation. She begins as a con artist running a fake psychic business, but discovers genuine psychic abilities when Sam contacts her. Though Sam forces her to withdraw $4 million in laundered drug money and donate it entirely to nuns (she keeps none of it), she gains moral redemption by risking her life to help Sam and Molly achieve justice. She ends the film with confirmed real powers and a clear moral compass, making her significantly better off spiritually and personally despite not gaining wealth.
Sam Wheat begins as a successful banker in a loving relationship, though emotionally reserved (struggling to say "I love you," responding with "ditto" instead). After being murdered, he initially refuses the heavenly light that appears to take him, choosing to remain as a ghost to protect Molly. He successfully exposes Carl's money-laundering scheme, defeats both Willie and Carl, and achieves complete emotional closure with Molly - becoming visible to her in his final moments, sharing "I love you" (to which she responds "ditto"), and walking into the heavenly light representing peace and eternal rest. Though physically dead, Sam completes his character arc and achieves spiritual peace, making his ending better than being trapped as a ghost with unfinished business.
WHO ENDS UP WORSE:
Carl Bruner suffers the most catastrophic downfall. He begins as a seemingly successful, trusted banker and Sam's best friend, but is secretly laundering $4 million for drug dealers. His plan was to have Willie steal Sam's wallet (containing apartment keys to access bank security codes), but when Willie kills Sam during the robbery, everything unravels. His scheme is exposed, the $4 million is donated to charity, and he faces death threats from the drug dealers he can't pay. While attempting to escape during a confrontation, Carl flings a scaffolding hook at Sam; it swings back, shatters a window, and the glass impales Carl through the chest as he climbs through, killing him. Immediately upon death, shadowy, howling demons emerge and drag his screaming ghost to Hell.
Willie Lopez starts as a street mugger hired by Carl. Though Carl only intended robbery, Willie kills Sam during a struggle. Sam's ghost later terrorizes Willie, causing him to flee in panic and run into traffic where he's fatally hit by a car. His ghost arises only to be immediately grabbed by howling demons and dragged into the shadows, presumably to Hell. Willie is the first to face supernatural judgment.
Molly Jensen presents a bittersweet case. She begins happy, thriving as a sculptor, deeply in love and starting a new life with Sam. She ends safe from physical danger and with emotional closure from Sam's final communication and visible farewell, allowing her to eventually move forward. However, she has irrevocably lost her soulmate to murder - a life-altering tragedy that makes her fundamentally worse off than at the film's start, despite the positive resolution of safety and closure.
MORAL FRAMEWORK: The film establishes clear supernatural consequences: those who do evil (Willie and Carl) are dragged to Hell by demons, while those who complete their moral missions (Sam) ascend to Heaven surrounded by angels. Those who redeem themselves (Oda Mae) gain spiritual gifts and purpose. The living who survive tragedy (Molly) must carry on with grief but also closure.