The 1961 film version of *West Side Story* has a complex rating history because it was released before the current MPAA rating system was established in 1968.
### **The Film’s Rating History**
* **Original 1961 Release:** The film was **Unrated**. At the time, films were governed by the Motion Picture Production Code (the "Hays Code"), which strictly censored content but did not use a letter-based rating system for age appropriateness.
* **Retroactive Rating (1968/1969):** When the MPAA introduced its rating system in 1968, *West Side Story* was retroactively rated **G (General Audiences)**. This rating appeared on many theatrical re-releases and early home video (VHS and DVD) editions.
* **Modern Classification:** On most modern streaming platforms and newer home media releases, the film is often listed as **Unrated (NR)** or occasionally **PG (Parental Guidance Suggested)**. This shift reflects a modern consensus that the film's violence and themes are more intense than what is typically expected of a "G" rated film today. For comparison, Steven Spielberg’s 2021 remake was rated **PG-13**.
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### **Contributing Elements to the Rating**
Despite its "G" rating in the late 60s, the film contains several elements that would likely result in a PG or PG-13 rating under contemporary standards:
#### **1. Violence and Gang Warfare**
* **The Rumble:** A central plot point is a violent "rumble" between the Jets and the Sharks. While choreographed as a dance, it involves the use of switchblades, chains, and pipes.
* **On-Screen Deaths:** The film depicts the stabbing deaths of Riff and Bernardo during the rumble, and the climax features the fatal shooting of Tony. The sight of dead bodies on screen was considered quite stark for a mainstream musical in 1961.
#### **2. Language and Racial Slurs**
* **Ethnic Slurs:** Reflecting the racial tensions of 1950s New York, the characters frequently use derogatory terms. The Jets use slurs like **"spic"** toward the Puerto Rican Sharks, while the Sharks may refer to the Jets as **"Polacks"** or other ethnic insults.
* **General Profanity:** Characters use period-appropriate but aggressive language such as **"bastard,"** **"hell,"** **"damn,"** and **"punks."**
#### **3. Suggestive Themes and Implied Assault**
* **Attempted Assault:** One of the most intense scenes occurs in Doc’s drug store, where Anita is surrounded by the Jets. They harass, shove, and physically bully her in a sequence that strongly implies an intended sexual assault before it is interrupted by Doc.
* **Implied Sexual Relationship:** The relationship between Tony and Maria includes a "wedding" scene and a morning-after sequence that implies the couple has spent the night together, which was a mature theme for the era.
#### **4. Social and Thematic Content**
* **Prejudice and Systemic Issues:** The film is built on themes of systemic racism, police overreach (notably through Lieutenant Schrank), and the social failure of juvenile delinquency. The song *"Gee, Officer Krupke"* humorously but pointedly references "junkie" parents and "social diseases."
* **Substance Use:** Characters are frequently seen smoking cigarettes, and there are lyrical references to drinking.