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In the 1993 film Jurassic Park, the darkest moment for the lead character, Dr. Alan Grant (Sam Neill), is the scene at the electric perimeter fence where he believes Tim Murphy (Joseph Mazzello) has died in his arms.
The "darkest moment" occurs after Grant, Lex, and Tim attempt to climb over a 10,000-volt perimeter fence to reach the safety of the Visitor Center. Grant tests the fence with a stick and confirms the power is off, but while Tim is still near the top, Ellie Sattler (unaware of their location) resets the breakers.
The power surges, and Tim is violently shocked and thrown from the fence. Grant catches the boy’s limp, charred body. For a man who began the film explicitly stating his disdain for children and "scaring the crap out of them" at his dig site, this is a devastating emotional low point. He is forced to confront the potential death of a child he has spent the last 24 hours protecting, a failure that hits harder because he was the one who encouraged the climb and initially assured the children the fence was safe.
Grant overcomes this moment through a combination of immediate action (CPR) and internal character evolution:
| Detail | Description |
|---|---|
| Character | Dr. Alan Grant |
| Darkest Moment | Tim being electrocuted and appearing dead at the perimeter fence. |
| Immediate Response | Performing desperate CPR to "bestow life" on the boy. |
| Symbolic Growth | Discarding the raptor claw and shifting from a "child-hater" to a father figure. |
| Final Resolution | Protecting the kids in the Visitor Center and embracing them on the helicopter ride home. |
No oversights detected.
In Jurassic Park (1993), Dr. Alan Grant's darkest moment is the electrocution of Tim Murphy at the perimeter fence. After assuring the children the fence is safe to climb, the power is reset, shocking Tim and throwing him to the ground. Grant rushes to the boy, who has stopped breathing, and overcomes the crisis by performing CPR until Tim revives. This moment serves as the climax of Grant's emotional arc, transforming him from a man who disdained children into a dedicated protector/father figure. This shift is foreshadowed earlier in the film (during the tree scene) when he discards his raptor claw—a symbol of his intimidation of children—and is finalized in the closing scene when he embraces the sleeping children on the helicopter.