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In the 1980 film Cannibal Holocaust, the "secrets" the characters keep form the central conflict and the moral core of the story. While the film is presented as a rescue mission, the true narrative is the slow unmasking of the documentary crew’s monstrous behavior, which they intended to hide from the world to maintain their reputations as serious journalists.
The primary secrets are held by the four-person documentary crew: Alan Yates (Director), Faye Daniels (Script Girl), Jack Anders, and Mark Tomaso (Cameramen).
The crew’s biggest secret was that their documentary, The Green Inferno, was almost entirely staged. They did not just observe "savage" behavior; they incited it to create sensational footage.
Perhaps the most iconic and horrific "secret" in the film involves a young Yanomamö girl found impaled on a wooden stake.
The film reveals that Alan Yates had a long-standing secret of faking his work.
Faye Daniels, the scriptwriter and Alan’s girlfriend, keeps a personal secret regarding her public persona.
The crew even kept secrets from one another or acted against their own survival for the sake of the camera.
The secondary narrative involves Professor Harold Monroe, who is the only character who eventually learns all these secrets.
The AI summary claims Monroe's secret is that the public cannot be trusted, but fails to mention the film's cynical epilogue: the projectionist stole the reels and sold them for $250,000. This means the 'secret' was ultimately exposed, which is why the audience is watching the film.
The characters in Cannibal Holocaust keep secrets primarily to hide their own atrocities and manufacture a false narrative for their documentary. The crew (Alan, Faye, Jack, Mark) staged the burning of a Yacumo village, provoked a war between the Yanomamö and Shamatari, and raped a native girl, later filming her impaled body as a 'ritual' victim to cover up their crime. Alan Yates also had a history of staging footage, having faked executions for his previous film The Last Road to Hell. Faye Daniels hid her hypocrisy, being a public animal rights activist while participating in animal slaughter. Finally, Professor Monroe attempts to keep these secrets by convincing executives to destroy the footage, though the film's epilogue reveals a projectionist stole and sold the reels, exposing the truth to the world.