| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 1 | 0 | 0 | 4 |
Counts based on original analysis categories (not yet classified).
Errors = Critical Errors + Imprecisions
Missing = Critical Omissions + Notable Gaps
Bob Fosse’s All That Jazz (1979) was a significant commercial and critical success, though its production was famously fraught with financial tension. It eventually became one of the most profitable films for its distributors during the transition to the "ancillary market" (home video and cable) era.
The film’s budget underwent several stages of inflation due to Fosse’s obsessive directing style and elaborate musical sequences:
The film was a "sleeper hit," starting with a limited release before expanding based on critical acclaim and award buzz.
The film arrived exactly at the dawn of the home video boom, and it became a "test case" for the profitability of the new format:
| Financial Metric | Amount (Estimated) |
|---|---|
| Production Budget | $12,000,000 |
| Domestic Box Office Gross | $37,823,676 |
| Theatrical Rentals (Studio Share) | ~$19,000,000 |
| Home Video (First Day Sales) | $1,000,000 |
| Total Estimated Revenue | $45,000,000+ (including global & TV) |
Conclusion: Against a final budget of $12M, the film was a clear winner. Its box office alone returned nearly 1.6 times its production cost to the studios in rentals, and its record-breaking home video debut established it as a high-margin "evergreen" title. Because Columbia and Fox shared the profits as equal partners following the completion deal, both studios saw a substantial return on what was initially considered a high-risk "vanity project."
No oversights detected.
The film All That Jazz (1979) had a final production budget of approximately $12 million (escalating from an initial $6.5 million). It grossed $37,823,676 domestically. Theatrical rentals (the studio's share) were approximately $19 million. A key financial success factor was its performance in the nascent home video market, where it set a record by generating $1 million in sales in a single day via Magnetic Video Corp. The film was highly profitable relative to its budget, especially considering the shared risk deal between Columbia and 20th Century-Fox.