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In Roman Polanski’s The Pianist, secrets are survival mechanisms. Because the film is set during the Holocaust in Nazi-occupied Warsaw, the "secrets" are rarely scandalous in a traditional sense; rather, they are life-and-death stakes involving hidden identities, clandestine movements, and suppressed humanity.
Here are the specific secrets kept by the characters:
For the majority of the film's second half, Szpilman’s very existence is a secret.
The most profound secret in the film is kept by the German Captain, Wilm Hosenfeld.
Several characters keep secrets related to the armed resistance against the Nazi occupation.
Itzhak Heller is a member of the Jewish Ghetto Police—a collaborator. While he is generally seen as a "villain" by the Szpilman family for his role in the Ghetto's administration:
There is a metaphorical secret kept by Szpilman during his time in hiding.
At the end of the film, after the Russians have liberated Poland, Hosenfeld is in a Soviet POW camp. He tells a passing Polish musician (Lednicki) his name and asks him to tell Szpilman.
Wladyslaw’s brother, Henryk, keeps his own small secrets from the family. He is more radical and rebellious than Wladyslaw. He secretly continues to trade books and interact with resistance-minded individuals even when the Ghetto laws become increasingly restrictive, refusing to "play along" with the submissive facade many others adopted for safety.
Early in the film, the Szpilman family discusses where to hide their remaining money. Regina suggests the watch under flowerpots and Wladyslaw suggests rolling the money into his violin. This is a literal secret kept by the family.
Szpilman is given a vial of poison by his resistance friends to use if he is ever captured by the Germans, a significant 'secret' survival tool he carries.
Antek Szalas, a resistance member, was secretly pocketing the money meant for Szpilman's food, leading to Szpilman's near-starvation and jaundice.
In Roman Polanski's The Pianist (2002), characters keep several life-saving and survival-oriented secrets. Wladyslaw Szpilman's very existence is a secret for much of the film as he is hidden by the Polish resistance (the Boguckis and Dorota) and later by German Captain Wilm Hosenfeld in an attic. Hosenfeld himself keeps Szpilman's presence a secret from his superiors, an act of treason. Other secrets include the family's hidden money (rolled into a violin and hidden in a clock), the suicide pill Szpilman carries, and the clandestine activities of the Jewish resistance (Majorek smuggling weapons). Additionally, Itzhak Heller keeps his rescue of Szpilman a secret from other guards, and the resistance member Antek Szalas keeps a dark secret: he is embezzling the money meant for Szpilman's food. Finally, Hosenfeld's identity remains a 'lost secret' to Szpilman for years because the violinist Lednicki could not hear his name clearly through the wind at the POW camp.