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In Jean-Pierre Jeunet and Marc Caro’s 1995 surrealist masterpiece The City of Lost Children (La Cité des enfants perdus), the story features a dual-protagonist structure, but the primary main character is One, played by Ron Perlman. He is accompanied throughout the film by his companion and co-protagonist, Miette (played by Judith Vittet). Because the film is highly visual and One is a character of few words (Ron Perlman famously learned his lines phonetically in French), their dialogue is sparse but deeply impactful.
One is a circus strongman with the heart of a child. His motivation is singular: he is searching for his kidnapped "little brother," Denree, who was stolen by the cult of the Cyclops to be delivered to the scientist Krank.
Because One is portrayed as "dim-witted" but pure of heart, his most memorable lines center on his devotion to Denree and his admission of his own limitations.
Miette is a young girl who leads a gang of orphaned thieves. She is the "adult" in the relationship, despite being a child.
While not the hero, the character Krank (Daniel Emilfork) has the most philosophical and "memorable" lines in the film, as he provides the exposition for the plot.
The most memorable dialogue in the film often highlights the contrast between One’s physical strength and his emotional vulnerability. The film’s script relies heavily on the "beauty and the beast" chemistry between One and Miette as they navigate a dark, mechanical harbor town to save the stolen children.
Irvin is a major character who provides the most significant philosophical dialogue and exposition, including the 'no soul' line the AI misattributed.
The summary fails to mention that Krank and his 'brothers' are clones created by a scientist, which is crucial to his lack of dreams.
The film's opening dream sequence is one of its most famous visual and narrative moments.
The main character of 'The City of Lost Children' (1995) is One, a circus strongman played by Ron Perlman. His most memorable and frequent line is 'Denree!', the name of his kidnapped brother. Other significant lines include Miette's observation that One is a 'big baby' ('Tu es un géant, mais tu n'es qu'un gros bébé') and Krank's lament about his inability to dream ('Je ne peux pas rêver. C'est pour ça que je vieillis'). A critical piece of dialogue often associated with the film is Irvin (the brain) telling Krank that he lacks a soul, which the AI summary misattributed to Krank himself.