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Based on your description, it appears you are referring to the Egyptian cinematic classic "The Open Door" ("El Bab el Maftouh"), released in 1963. Directed by Henry Barakat and starring Faten Hamama, it is considered one of the most significant films in Arab cinema for its portrayal of female empowerment and political revolution.
The lead character is Layla, a young woman living in Cairo during the 1940s and 50s. The film follows her growth from a repressed teenager to an independent woman against the backdrop of Egypt’s struggle against British occupation.
Layla’s darkest moment is not a single physical event, but rather a period of complete psychological and emotional paralysis that occurs mid-film. After having her heart broken by her first love (her cousin, who proves to be a hypocrite), she succumbs to the crushing weight of patriarchal expectations.
The specific "darkest" point occurs when she becomes engaged to Ramzi, a pedantic and conservative university professor. Ramzi views Layla not as a partner, but as a project to be molded and controlled. Under his influence and her father’s strict authority, Layla loses her fire; she becomes a "living ghost," silenced and submissive, abandoning her intellectual pursuits and her involvement in the nationalist movement. She feels that the "door" to her life has been permanently slammed shut, and she accepts a future of domestic servitude and emotional emptiness.
Layla overcomes this darkness through a combination of political awakening and the support of a different kind of man, Hussein.
By linking her personal freedom to the freedom of her country, Layla overcomes her darkest moment of repression by choosing action over apathy and self-respect over societal conformity.
The summary mentions the cousin but omits his name, which is Essam (or Isam).
The summary mentions the brother but omits his name, which is Mahmoud.
In the 1963 film The Open Door (El Bab el Maftouh), the lead character Layla (Faten Hamama) faces her darkest moment when she becomes engaged to her university professor, Dr. Fouad (often referred to as Ramzi in the novel). This engagement represents a state of psychological paralysis where she succumbs to patriarchal control and abandons her nationalist and intellectual ambitions. She overcomes this through the support of Hussein, a revolutionary friend of her brother Mahmoud, and the catalyst of the 1956 Suez Crisis. Inspired by Hussein's letters and the national emergency, she breaks her engagement to Dr. Fouad, defies her father, and boards a train to Port Said to join the popular resistance, thereby achieving both national and personal liberation.