| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 7 | 0 | 0 | 0 |
In the climax of The First Wives Club (1996), the three main characters—Brenda Cushman (Bette Midler), Elise Elliot (Goldie Hawn), and Annie Paradis (Diane Keaton)—go to Morty’s office building (the headquarters for his business, "Uncle Benny’s") in New York City.
The Purpose:
They go there to conduct a heist to obtain incriminating financial ledgers. Brenda has discovered that her ex-husband, Morty, has been hiding assets and committing tax fraud by funneling money through his "Uncle Benny." The women need these physical books to serve as leverage (blackmail) to force the three ex-husbands to meet their demands: fair divorce settlements and the funding of their charitable project.
Specific Details of the Climax:
This lead-up allows them to reach the story's resolution: the grand opening of the Cynthia Swann Griffin Crisis Center for Women (named in honor of their friend whose death at the start of the film brought them back together), where they famously perform the song "You Don't Own Me."
The summary repeatedly identifies the location as an office building, whereas the scene famously takes place at Morty's apartment/penthouse.
The summary invents the name 'Uncle Benny' for both a character and a business, confusing it with the actual character 'Uncle Carmine'.
At the climax of The First Wives Club, the three main characters (Brenda, Elise, and Annie) go to Morty and Shelly's apartment (a penthouse on Fifth Avenue), not his office. They go there to steal incriminating financial ledgers ('double books') that prove Morty's business was built on stolen merchandise and money laundering (revealed by Brenda's Uncle Carmine). They are forced to escape via a window washer's hoist when Morty and Shelly return home unexpectedly.