| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 3 | 1 | 0 | 2 |
In Miloš Forman’s "The Firemen's Ball" (1967), which is an ensemble satire, the "main character" in terms of the plot’s framework is the retired Fire Chief (the Honorary Chairman).
At the climax and conclusion of the film, he goes to his bed in his home.
The Significance:
He goes there because the "Ball"—a metaphor for the failing communist society of Czechoslovakia at the time—has completely disintegrated. The reason he is in bed, shivering and pulling up the covers, is a poignant satirical image: despite his years of service, he has been left with nothing but an empty box, and the society he served is too corrupt and incompetent to even provide him with the warmth of a proper tribute or a functioning community.
Note on the other "Main Character" of the Climax:
If one considers the Old Man whose house burns down to be the central figure of the film's climax (the fire), he is moved by the firemen into a chair in the snow, positioned directly facing his burning house. The firemen put him there for the absurd reason that he should "keep warm" from the heat of his own home’s destruction since they are unable to save the building.
The summary completely misidentifies the final image of the film, attributing the Old Man's tragic ending (sleeping in the snow) to the Retired Chief (sleeping at home).
At the climax of The Firemen's Ball (1967), the Retired Fire Chief is presented with a gift box during the ceremony, only to discover (upon opening it) that the ceremonial axe inside has been stolen. However, the film's actual final shot focuses on the Old Man (Havelka) whose house burned down earlier. He goes to sleep in a bed set up outside in the snow next to the smoking ruins of his home, because the firemen failed to save his house and he has nowhere else to go. The AI summary incorrectly attributes this final action to the Retired Chief going to bed in his home.