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In the climax of Elaine May’s Mikey and Nicky (1976), the main character, Nicky (John Cassavetes), goes to Mikey’s (Peter Falk) suburban home in a desperate, final attempt to find safety and reconciliation.
After a long, harrowing night of wandering through seedy bars, a cemetery, and the homes of former lovers in Philadelphia, the film concludes at Mikey's residence in the suburbs. This location is a stark contrast to the grimy, claustrophobic hotel room where the film began.
Nicky goes to Mikey's house for two primary, intertwined reasons:
The final scene is famous for its brutal, "mirrored" irony of the film's opening:
No oversights detected.
At the climax of Mikey and Nicky (1976), Nicky (John Cassavetes) goes to Mikey's (Peter Falk) suburban home in a desperate attempt to find safety from the hitman, Kinney (Ned Beatty). Nicky hopes his oldest friend will save him, despite his suspicions of betrayal. When Nicky arrives, Mikey refuses to open the door. Instead, Mikey and his wife, Annie, barricade the door with armchairs (or couches). Nicky pounds on the door, screaming "Let me in! I'm sick!" (referring to his ulcer). Mikey remains inside, refusing to help. Kinney arrives and shoots Nicky on the doorstep. Nicky does not run, accepting his fate or too exhausted to flee. The film ends with Nicky dead outside the door Mikey refused to open.