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The 1967 film 'Madame O' (directed by Seiichi Fukuda) is an early example of the Japanese 'pink film' (pinku eiga) genre. Its ending is distinct for its 'noir' and 'psychological thriller' elements, featuring a twist where the protagonist, Seiko, discovers her husband's betrayal (he is revealed to be connected to her past trauma or a blackmailer), culminating in a confrontation in a tunnel. Critics often describe this ending as 'campy' or 'silly' but also 'riveting', noting it as a nihilistic conclusion typical of the genre but executed with higher stylistic ambition (widescreen, mixed B&W/color) than many contemporary pink films.
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