| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 2 | 0 | 0 | 2 |
Counts based on original analysis categories (not yet classified).
Errors = Critical Errors + Imprecisions
Missing = Critical Omissions + Notable Gaps
The plot of the 1942 classic Casablanca is set in motion by a sequence of criminal acts and political maneuvers that converge at Rick’s Café Américain. These events transform the setting from a simple transit point for refugees into a high-stakes focal point of the European resistance.
The following specific actions start the plot in motion:
The inciting incident occurs off-screen but is reported in the film's opening moments. Two German couriers traveling on a train from Oran are murdered. This act of violence immediately brings the Nazi presence to Casablanca in the form of Major Heinrich Strasser, who arrives to oversee the investigation.
The couriers were carrying two letters of transit. These documents are the "MacGuffin" of the film—the plot device that everyone desires. Unlike standard visas, which are subject to delay and scrutiny, these letters were purportedly signed by General de Gaulle (though some versions of the script and historical analysis suggest General Weygand, the film's dialogue explicitly names de Gaulle). They allow the bearer to travel freely through German-occupied Europe to neutral Lisbon, Portugal, and are "absolutely beyond question."
A petty criminal named Ugarte (played by Peter Lorre) reveals to Rick Blaine (Humphrey Bogart) that he is the one who killed the couriers and stole the letters. He plans to sell them to a high-profile buyer for a fortune. Because the police are closing in, Ugarte asks Rick—who famously "sticks his neck out for nobody"—to hide the documents for him. Rick hides them inside the upright piano played by his house musician, Sam.
To impress the arriving Major Strasser, the corrupt Vichy Prefect of Police, Captain Louis Renault, stages a theatrical arrest of Ugarte inside Rick’s café. Ugarte is taken into custody (where he is later killed), leaving the letters of transit hidden in Rick's possession. This places the cynical, "neutral" Rick at the center of a dangerous political game.
The final action that fully engages the plot is the arrival of Victor Laszlo, a renowned Czech resistance leader, and his wife, Ilsa Lund (Ingrid Bergman). They have come to Casablanca specifically to find the letters of transit to escape to America.
The Personal Catalyst:
The plot shifts from a political thriller to a personal drama the moment Rick sees Ilsa. She is the woman who broke his heart by abandoning him in Paris years earlier. This creates the film's central conflict: Rick now holds the only means of escape for the man the Nazis want to capture and the woman he still loves.
No oversights detected.
The plot of Casablanca is set in motion by the off-screen murder of two German couriers and the theft of two 'Letters of Transit.' The petty criminal Ugarte, who implies he committed the murders, gives the letters to Rick Blaine to hide (in Sam's piano) just before being arrested by Captain Renault. The tension escalates when the intended buyers, resistance leader Victor Laszlo and his wife Ilsa Lund (Rick's former lover), arrive in Casablanca to purchase the letters, placing Rick in the center of a political and romantic conflict.