| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 2 | 0 | 0 | 7 |
In the 2008 film Departures (Okuribito), the relationship between the two main characters—Daigo Kobayashi (a failed cellist) and his wife Mika—serves as the emotional anchor of the story. Their relationship evolves from a partnership based on shared dreams and support into one fractured by social taboos, and finally into a deeper bond built on mutual respect and professional pride.
The following is an event-by-event breakdown of how their relationship evolves:
At the start of the film, Daigo and Mika have a stable, supportive relationship in Tokyo. When Daigo’s orchestra is disbanded and he is forced to sell his expensive cello, Mika remains optimistic.
Upon returning to Yamagata, Daigo accidentally stumbles into a job as a nōkanshi (ritual mortician). Due to the heavy social stigma surrounding death in Japan, he cannot bring himself to tell Mika the truth.
The turning point occurs when Mika finds a training DVD in which Daigo is posing as a corpse for an instructional video on encoffinment.
After several months apart, Mika returns to Yamagata, but the conflict is not yet resolved.
The pivotal moment of reconciliation happens when Tsuyako, the owner of the local bathhouse and a mother figure to Daigo, passes away.
The evolution of their relationship culminates when Daigo receives news that his estranged father—who abandoned him as a child—has died.
The film ends with a symbolic gesture of continuity and healing.
The summary conflates Daigo's initial misunderstanding of the ad (thinking it was a travel agency) with the lie he told Mika (that he worked in 'ceremonies'). Mika did not think he was a travel agent; she thought he was a wedding/event planner.
The AI summary is highly accurate in tracking the emotional evolution of Daigo and Mika's relationship, correctly identifying the key turning points: the move to Yamagata, the secrecy, the discovery via DVD, the separation, the pregnancy-driven return, the reconciliation at the bathhouse funeral, and the final closure with Daigo's father. The only minor inaccuracy is the claim that Mika believed Daigo worked in 'travel departures'; in reality, Daigo told her he worked in 'ceremonial occasions' (often interpreted as weddings) to hide the taboo nature of his job. The 'travel' confusion was Daigo's own initial mistake when reading the ad. The 'expensive beef' detail refers to a scene where they share a high-quality meal (often sukiyaki) bought with his cash advance. The quote 'Don't touch me! You're unclean!' accurately captures the 'fujo' (impurity) conflict.