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In the 1960 film Two Women (La ciociara), directed by Vittorio De Sica, the most crucial action made by the lead character, Cesira (played by Sophia Loren), is the emotional breakthrough she triggers in her daughter, Rosetta, by informing her of the death of their friend Michele.
This action serves as the film’s emotional and narrative climax, effectively "saving" Rosetta from the catatonic, cynical state she entered following their brutal gang-rape by Allied Moroccan soldiers (Goumiers).
Two characters are instrumental in helping Cesira achieve this crucial action, though in different ways:
It is worth noting that in terms of the performance, director Vittorio De Sica famously helped the actress playing Rosetta (Eleonora Brown) achieve the necessary emotional state for this scene. To make her cry realistically, De Sica told the 11-year-old Brown a lie—that a telegram had arrived saying her actual parents had died in an accident. This "help" from the director allowed for the raw, devastating footage that defined the film's conclusion and contributed to Sophia Loren's historic Best Actress Oscar win.
The summary incorrectly attributes the delivery of the news to Filippo personally arriving, whereas in the film, the news is delivered by a bystander/neighbor shouting from a window.
The most crucial action by Cesira (Sophia Loren) is telling her daughter Rosetta (Eleonora Brown) that their friend Michele (Jean-Paul Belmondo) has been killed by the Germans. This news breaks Rosetta's post-rape emotional numbness, causing her to cry and restoring their bond. In terms of narrative help, the news is delivered by a neighbor/bystander (not Filippo personally, as the AI claims), which gives Cesira the 'tool' to reach her daughter. Behind the scenes, director Vittorio De Sica 'helped' Eleonora Brown achieve the performance by lying to her that her real parents had died in an accident.