| Errors | Missing | Unverified | Supported |
|---|---|---|---|
| 0 | 0 | 0 | 7 |
Counts based on original analysis categories (not yet classified).
Errors = Critical Errors + Imprecisions
Missing = Critical Omissions + Notable Gaps
In the climax of Elaine May’s Mikey and Nicky (1976), the main character, Nicky (John Cassavetes), goes to Mikey’s (Peter Falk) suburban home in a desperate, final attempt to find safety and reconciliation.
After a long, harrowing night of wandering through seedy bars, a cemetery, and the homes of former lovers in Philadelphia, the film concludes at Mikey's residence in the suburbs. This location is a stark contrast to the grimy, claustrophobic hotel room where the film began.
Nicky goes to Mikey's house for two primary, intertwined reasons:
The final scene is famous for its brutal, "mirrored" irony of the film's opening:
No oversights detected.
At the climax of Mikey and Nicky (1976), the main character, Nicky (John Cassavetes), goes to the suburban home of his best friend, Mikey (Peter Falk). He goes there in a desperate final attempt to find safety from a hitman, believing Mikey is the only person who can save him, despite growing suspicions of Mikey's betrayal. When he arrives, Mikey refuses to let him in and barricades the door. Nicky is subsequently shot and killed by the hitman, Kinney (Ned Beatty), on Mikey's doorstep while pleading to be let in.