Vilmos Zsigmond Blow Out
Vilmos Zsigmond, ASC, HSC (1930–2016) was the cinematographer on Blow Out (1981).
Zsigmond was one of the great cinematographers of the New Hollywood
By 1981, Zsigmond had already shot some of the defining films of the 1970s:
| Year | Film | Director | Notes |
|---|---|---|---|
| 1971 | McCabe & Mrs. Miller | Robert Altman | Diffused, flashed look |
| 1972 | Deliverance | John Boorman | |
| 1973 | The Long Goodbye | Robert Altman | |
| 1974 | The Sugarland Express | Steven Spielberg | First Spielberg feature |
| 1977 | Close Encounters of the Third Kind | Steven Spielberg | Academy Award for Best Cinematography |
| 1978 | The Deer Hunter | Michael Cimino | |
| 1981 | Blow Out | Brian De Palma |
He was the cinematographer of choice for directors who wanted naturalistic light with emotional depth — the opposite of slick studio photography.
Zsigmond shot Blow Out cleaner than his usual style
Zsigmond was known for diffusion and flashing the negative — techniques that gave films like McCabe & Mrs. Miller their foggy, painterly look. For Blow Out, he deliberately pulled back:
"Basically I just shot Blow Out straight... By not diffusing and not flashing as much... You see, I like a softer look, a more diffused look." — Vilmos Zsigmond, Filmmaker Magazine (2014)
The cleaner look serves the film's realism — Blow Out takes place in a recognizable, unglamorous Philadelphia, not in the stylized worlds of De Palma's Hitchcock homages. The clarity also makes the visual set pieces (the bridge crash, the Liberty Day parade, The 360-Degree Shot) more striking by contrast.
Zsigmond praised De Palma's visual command
"Brian De Palma really knows what he's doing with the camera. He does incredible 360-degree shots, beautiful set-ups, long takes. He's really great at planning out shots." — Vilmos Zsigmond, Filmmaker Magazine (2014)
Zsigmond shot four De Palma films total
| Year | Film |
|---|---|
| 1976 | Obsession |
| 1981 | Blow Out |
| 1990 | The Bonfire of the Vanities |
| 2006 | The Black Dahlia |