Vertigo (1958) / Body Double (1984) — structural swimlanes
Beats from Backbeats (Vertigo) and Backbeats (Body Double) , placed by film-minute. Connector lines mark structural correspondences; line style indicates the kind of correspondence.
Hover a beat box for the full beat description. Hover a connector line for the explanation of why these two beats are connected the way they are.
VERTIGO (1958)
worse tools, insufficient — tragedy
128 min · 40 beats
BODY DOUBLE (1984)
better tools, sufficient — comedy w/ industry coda
114 min · 40 beats
INITIAL EQUILIBRIUM → COMMITMENT
INITIAL APPROACH → MIDPOINT
POST-MIDPOINT APPROACH → CLIMAX
WIND-DOWN
(no BD analogue)
(no BD analogue)
v1 [4m] Rooftop chase — patrolman dies, acrophobia is born
v2 [5m] Midge's apt — corset, step-stool, faint Equilibrium
v3 [11m] Elster's office — follow my wife Inciting
v5 [16m] Ernie's — the held gaze (no words) Commit
v8 [25m] Legion of Honor — Carlotta's portrait
v14 [43m] Fort Point — Madeleine in the bay; Scottie dives
v18 [60m] Cypress Point — embrace at the cliff Escal-1
v22 [73m] Mission stable — kiss / “kiss me again”
v23 [76m] Bell tower — body falls past the window Midpoint
v24 [78m] Inquest — coroner names Scottie's failure
v26 [85m] Sanitarium — Midge walks out for good
v28 [93m] Empire Hotel — Scottie finds Judy
v29 [100m] Judy's letter — audience learns the trick
v33 [112m] The salon — hair color
v35 [117m] Green-light kiss — Judy emerges as Madeleine
v36 [120m] Necklace — Scottie sees the clasp Escal-2
v39 [127m] Top of tower — nun appears, Judy falls Climax
v40 [127m] Scottie at the trapdoor, looking down Wind-Down
b1 [1m] Coffin freeze — Jake fails the Vampire's Kiss take
b3 [4m] Home — Carol in bed with another man
b6 [10m] Acting class — claustrophobia exercise; Sam intervenes Equilibrium
b8 [17m] Chemosphere telescope — “like clockwork, every night” Inciting
b13 [29m] “There she goes” — Jake pulls out behind Gloria Commit
b14 [32m] The mall — three-figure stalking sequence
b15 [48m] Tunnel — Jake's claustrophobia freezes the chase Escal-1
b16 [53m] The beach kiss — De Palma's 360° camera rotation
b18 [60m] Drill murder — Jake watches through the telescope Midpoint
b19 [65m] McLean's interrogation — “a peeper… a sex offender”
b20 [70m] Late-night TV — Holly Body's commercial
b23 [75m] “I like to watch” — Jake's porn audition
b26 [82m] Bar with Holly — courtship pretext
b28 [87m] Chemosphere — Jake walks Holly through the truth
b29 [90m] Speakerphone — Holly: “That's him.” Escal-2
b32 [95m] Holly grabbed off the highway by Sam-as-Indian
b35 [102m] Reservoir — Sam buries Jake alive
b36 [106m] Sky tunnels away — “I can help myself.” Climax
b38 [107m] Dog from the car kills Sam
b40 [110m] Vampire's Kiss shower — body-double process plays under credits Wind-Down
homage — direct structural parallel
parallel scene-type
parallel framing, opposite outcome
Vertigo-only (no BD)
Equilibrium
Inciting
Commit
Escal-1
Midpoint
Escal-2
Climax
Wind-Down